Wordmarks from a private stock of predigital lettering scoured from low resolution archives, personally converted to bezier outlines by Robb for use by today’s graphic designers who appreciate the wonky shapes of yesteryear.
These are not fonts, sorry.

It looks like a lettering exercise. Here is a Speedball B knibbed pen, you have quite a little bit of space to between the Dell logo and “ONE.” Give us a “The.” You have two minutes. [Dip. Scritch. Scratch. Swoop. Done.] Hasty and instinctual and tight, all of which is fitting. The cramped squirm of the “h” writhes like the pinned man in sad yellow socks, all the more humane for its discomfort next to solid, inevitable crime block gothics. Victimlettering. Swiped from UK Vintage.

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All © and ™ 1949 Dell and Helen McCloy?

Posted at 9:26am and tagged with: lettering, book, script, monoline, 1940s,.

Is the monoline script smart? Blending the rigidity and shallow arcing curves of 1920s lingerie? Or, does the letterer have a taste for pinching constrained shapes (take a moment to compare how open that “h” counter is with the letter spacing) which is simply fitting coincidence? Reinforced and lightly boned as the copy says better than I can. Three hand lettered styles fight for attention like siblings, or neighboring countries with old grudges ignoring each other. At first glance the strict “The” and “of” relate to the thins in high contrast “GOSSARD Line” and “Beauty.” No. The weights differ in clever attempts to darken up the monolines as compensation, evening out the gray values of reading text (blur your eyes a bit)? Or was it a bit more low tech, simply different ruling pens per style resulting in an unintended weight shift? Loose handwriting looks and reads as if the sales staff decided the ad man did not do enough, they chose to clutteredly Tell atop the simple Show of a girl in underwear just before submittal. Imagine Victoria’s Secret or La Perla naming underwear 572-a, then claiming it provides a particularly satisfactory foundation or is exceedingly pliant and surprisingly light and soft.

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©1927 and ™ H. W. Gossard Co.?

Posted at 7:23am and tagged with: 1920s, ad, connecting, monoline, script, lettering,.

The Ink Spots LP does not read “pre-doo wop vocal group” to me, but it’s pretty as befits most Decca covers. It struck me how the script caps were bolder than the bulk of the characters. This is something common in old metal foundry type, or careless contemporary digital graphic designers bumping up the point size of each initial to look elegant. It is rare in hand lettering and strange in monoline scripts.

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©1965 and ™ Decca Records?

Posted at 3:07pm and tagged with: monoline, connecting script, album, rounded, 1960s, lettering,.

A 20s monoline mutt with much unnecessary serif-ing by me when playing with the ink gain at the end of strokes resulting from such cheap printing and absorbant show card stock.

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Posted at 11:12am and tagged with: poster, 1920s, monoline, serif, lowercase, lettering,.