Wordmarks from a private stock of predigital lettering scoured from low resolution archives, personally converted to bezier outlines by Robb for use by today’s graphic designers who appreciate the wonky shapes of yesteryear.
These are not fonts, sorry.

Lately, there has been less revision, less challenge in shapes shown. Inker’s tracings of selections held enough artistry to build commentary soapboxes upon. After hearing a Carter lecture, again, a non-existent challenge was accepted to avoid thoughtless preservation leading to “taxidermy,” if only for the length of a post. This revisionist exercise was fun, but will be very short lived. It is doubtful anyone will take offense at adjusting Crack Comics’ lettered legacy, no matter how loved Gill Fox may have been. This cover is hardly a cherished artifact nor cultural touch point, even for funny books. Bubbled sans are plentiful. What caught my eye was the contrast in plumpness within and outside the “E.” Its structure seemed upholstered, a stiff frame padded outward and minimal fluff around to the crossbar. I wondered whether the effect could sober up, deflate and approach the crop of recent mutant sans which smartly utilize shallow curves in all characters to upend possible boredom with straight-sided historical sans. Diminish the bounce and level out the interior angles. What if a sausage-link sans like VAG Rounded went to boot camp, trained under a humorless drill sergeant and came out with a broken spirit but lots of resolve?

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©1940 and ™ Gill Fox and Quality Comic Group?

Posted at 10:12am and tagged with: lettering, 1940s, sans, caps, comic, rounded,.

The Ink Spots LP does not read “pre-doo wop vocal group” to me, but it’s pretty as befits most Decca covers. It struck me how the script caps were bolder than the bulk of the characters. This is something common in old metal foundry type, or careless contemporary digital graphic designers bumping up the point size of each initial to look elegant. It is rare in hand lettering and strange in monoline scripts.

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©1965 and ™ Decca Records?

Posted at 3:07pm and tagged with: monoline, connecting script, album, rounded, 1960s, lettering,.

The Hunter is a seemingly unlicensed pinball game, and baffles me, perhaps least so that the product developer kept the famous Robert DeNiro image but not the easily replicable Optima logo from the original The Deer Hunter poster and opted for a hand lettered rounded slab to make POW Russian roulette inviting from across a late ‘70s bar? Is the Warrant-video-blonde supposed to be Meryl Streep? The double outline bubble lettering is precious though, because few of its proportions stand to reason given how tightly packed the shapes are (pay close attention to the outline weights around the “E”’s vertical serifs).

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All © and ™ to EMI, Bell Coin Matics, and W.A. Gullick?

Posted at 12:47pm and tagged with: 1970s, slab, rounded, toned, book, caps, serif, lettering,.

Something blobbish, and most definitely not the Star Fox I remember. It’s nicely sloppy, with inconsistent treatments for distance between amoeba stroke to amoeba stem to aperture, whether or not to even separate the strokes, and blob shape. Spacing was altered.

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All © and ™ to Signet Books and Poul Anderson

Posted at 12:39pm and tagged with: rounded, book, brush, lettering,.